Media Critic, George Gerbner observes that what we see on TV and in Essay

Media Critic, George Gerbner observes that what we see on TV and in magazines eventually becomes our standard of reality and de - Essay ExampleMany peoples lives argon sedentary and feature little exercise. As several researchers have indicated, in strident tones According to the American corpulency Association, 65% of adults and 30% of children are overweight, and 30% of adults and 15% of children meet the criteria for obesity. Rarely playing outdoors, children spend their age chatting online or watching TV while snacking on nutritionally empty foods. The average child spends 4 hours per day watching TV, and only 1 hour per day completing homework (Derenne and Beresin, 1). These health problems are causing a crisis in carcass image perspectives. Because people are living such dropsical lives, they see the gap between their own bodies and bodies they see in frolic products, and this may result in depression or other disorders. The entertainment indus movement unwittingly encoura ges this by refusing to feature people with natural or average bodies and by promoting unfortunate stereotypes. These issues can affect both men and women, but it appears that more than magazines target womens insecurities and can have a big impact on them (Grogan, 108). Films do a swell deal to shape our ideas of body image. One example would be the American film, the Nutty Professor star Eddie Murphy. In this film, the Klump family is shown to be hugely obese. Each member of the family has bad hygiene and appears foolish they are in the film to be laughed at. This is typical of the portrayal of overweight people in contemporary films they are comedic subjects to be mocked. Rather than show them as people with a full range of feeling and complex motivations, the entertainment industry reduces them to silly stereotypes. This occurs in many films. Is it any wonder that overweight people see these images and ascribe the negative energy surrounding them? It is not hard to see how p eople can develop have disorders or low self esteem from the constant bombardment of such images. The alternative can be dead on target for music videos. Music videos are famous for their sexually idealized representations of both sexes, but especially of women. In many videos, half-naked women cavort around luxury sports cars. Men sing about their bodies as if they were stainless objects. The most desirous women are those who are thin, have large breasts, and presume lots of make up. They wear clothes that reveal their body. To young people watching these images, the shows of wealth and power suggest that these things are attracted to these kinds of bodies. These bodies, viewing audience are told, are to be emulated, as they are the key to gaining access to this privileged world. While this is true for many kinds of music videos, there are some videos by artists such as Pink and Christina Aguilera which try to counteract the messages of most music videos. These rare videos tel l viewers that they are special just they elbow room they are and that they do not need to change in order to fit into a stereotype. It is unvarnished that music videos largely portray unattainable body images, but that some videos do tell a different story, one of innate rather than physical value. Many television shows have similar body image issues as music videos and films. Attractiveness is everything. The comedian Chris Farley was routinely mocked for being overweight on Saturday shadow Live. He eventually died from a drug overdose. Clearly, his life was very unhealthy.